Proeye Showreel

Details on apps and other stuff in the link

It includes; the updates Final Cut Pro 6, Motion 3, Soundtrack Pro 2, Compressor 3, a new application called Color, and DVD Studio Pro 4.

Being a long term Studio user, I’m really excited about the updates. My 3D compositing experience has mainly been from using After Effects, and so having the capability integrated in the suite with Motion is fantastic. I’m very interested in Color also (well, not the American spelling, but there is nothing we can do about that) and it looks like an app that I will be spending a lot of time enjoying.

We’re getting a copy in the office pretty much as soon as it ships here in Australia, so stay tuned for pros and cons, hypes and gripes, and things that I’ll go ape over.

We shot the concert with 4 Sony HDV Z1’s on the DVCAM setting. The camera is capable of shooting in HDV, but there were a few reasons we decided against that route. First, although HDV records in a higher definition than DV, it is compressed with an mpeg codec. I wasn’t sure about how it would hold up to doing frame-accurate editing. Also, it hogs up alot of rescources while editng, and so with my puny iMac G5 I needed to be as tight as I could be.

The cameras, however took some beautiful shots in SD DVCAM.

We cheated a little bit, and made the band perform 4 times, and only once in front of a crowd. For the crowd shoot, or the ‘live’ night, we turned all the cameras around and did alot of shots showing the band with the audience. The three other performances were when we got all the tight CUs and solos of the guys on stage.

This meant that we were editing a 16 camera live performance. We weren’t really trying to go for total continuity, or the “Carols by candlelight” look. Instead we wanted to treat each song like its own music video, get a certain mood and feel for each one. This is also why we didn’t live video mix on the live shoot.

With 16 cameras, we had plenty of shots to play around with. I ingested each song separately from my own Sony PD 150 to a Maxtor 300 gig via firewire, and that worked reasonably well. I aslo ended up using Final Cut Pro to edit it.

I received a copy of the audio master of the concert from the band and synced each camera up to the corresponding song in its own sequence. As we were using different performances, of course the song was played faster or slower each time, but we just dealt with that as we edited it. If a clip was out when we needed to use it, we just synced it back up. In hindsight, getting the band to use a click track would been the right idea.

Here is a bit of an idea of the desktop. The shots are color corrected, so that’s why they look pretty dope.

I’ll post more about the DVD authoring processes when we are up to it.